The Incredible Hulk marked Ferrigno’s debut as an actor, although he was no stranger to the cameras. The rest is history,” the actor, who will turn 71 in November, recalled in an interview with the comic book website 13th Dimension. so, they compensated me for my time and painted me green.I’m standing in front of the camera…and they told me to “be like the Hulk,” so I was the Hulk… and they hired me that day! The next day, I was in makeup for, like, 12 to 14 hours, and I looked in the mirror at myself and thought, ‘What am I doing here?’ I saw the white eyes and green teeth. “I went out for the screen test, and they said, ‘OK, we’re going to paint you green.’ I said, ‘What?!’. His physique was perfect, and he also had a certain innocence that fit the role well. Ultimately, casting settled on Lou Ferrigno, a star bodybuilder who had won the Mr. Denie (Getty Images) An ad for 'The Incredible Hulk' and 'Wonder Woman' in the March 25, 1978, issue of TV Guide. Production began with Kiel portraying the titular role until the director’s son visited the set and told his father that the strange-looking Hulk did not resemble Stan Lee’s character at all. The show chose the truly giant 7′2″ (2.2 meters) Richard Kiel, who played the Shark in the James Bond film Moonraker. Schwarzenegger had the muscles, but at 6′1″ (1.88 meters) he was not tall enough. The musclebound Austrian had been the first choice to play the Hulk, but the character needed to be giant in addition to strong. The show succeeded on the merits of the imposing muscles of Lou Ferrigno, the 6′4″, 308-pound titan who beat out Arnold Schwarzenegger for the role. At the time, CGI did not exist it was five years before Tron became the first film to make significant use of computer-generated imagery in 1982. The Incredible Hulk, the series that enjoyed success around the world between 19, employed only three visual effects: white contact lenses, a faded wig and a can of green paint. People familiar with the giant’s first appearance on the screen over four decades ago followed the controversy with ironic distance. The kindest thing that fans had to say, begrudgingly, about the special effects was that they were “somewhat green.” The shortcomings were so obvious that immediately after the first images from the show were leaked, the series went back into post-production. When Jennifer Walters transforms into the She-Hulk, the special effects look more like Sharknado than a thriving Marvel Cinematic Universe TV series. Among the many critiques of She-Hulk: Attorney at Law (Disney+), the only indisputable flaw is the show’s poor Computer-Generated Imagery (CGI).
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